Cast of hit sitcom Ghosts return for big-screen adaptation

Published: October 20, 2026, 9:46 pm

When the final episode of Ghosts broadcast in December 2023, the hit sitcom felt finished for good. The central plotlines involving Charlotte Ritchie’s character Alison and her ghostly companions at the dilapidated inherited manor reached a neat conclusion as they agreed to sell the estate to a hotel developer. That emotional finale brought tears to millions of viewers as well as the actors and crew behind the production.

Co-creator and star Mathew Baynton, who played the romantic poet Thomas, explained that they ended the television run with zero plans to return. He recalled that everyone was weeping on the final day of production while sitting inside a London hotel suite. Lolly Adefope, who portrayed the excitable ghost Kitty, admitted she was deeply upset by the conclusion, describing it as feeling like the other cast members were leaving a party while she stayed behind.

Director Simon Hynd noted that while the ending felt definitive and the team believed they had thoroughly explored every character, he spotted a glimmer of regret in several eyes. Despite that initial closure, the team ultimately reversed course when Monumental executive Alison Carpenter suggested securing funding for a feature film. “Alison Carpenter, our executive at Monumental, had started to say, ‘We could get the funding for a film if you guys want to do that,’” explains Baynton. “But we just batted it away.”. My makeup call would get shaved right down.”.

Baynton initially dismissed the idea, fearing a cinematic version would simply feel like an stretched-out television installment. Co-creator Laurence Rickard, who portrayed both caveman Robin and the headless nobleman Sir Humphrey Bone, shared similar concerns about avoiding a mediocre cinematic spin-off. “The fear was that you’d end up making a 90-minute episode of a TV show, and it would feel like, Please Sir. According to “You were the child whisperer, weren’t you?”, Rickard. You know, the big swan song,” replies Rickard, that prompts a slightly more uneasy response. “This does sort of feel like.

Eventually, Carpenter persuaded the core creative team to gather and discuss possibilities. After hashing out what the project needed to avoid, they quickly settled on a possession storyline that would allow at least one spirit to venture beyond the estate grounds. Rickard joked that the turnaround was remarkably swift, shifting from initial skepticism at 9:30 am to a firm commitment by 11 o’clock. Eventually Carpenter convinced the show’s six creators and stars (the others being Simon Farnaby, Martha Howe-Douglas, Jim Howick and Ben Willbond, not present) to at least get into a room and discuss the prospect. “We a. “It was the fastest turnaround ever,” laughs Rickard. “We went in at 9:30am going ‘I mean, it’s nice to see everyone, but I think the answer is probably no’ – and then by 11 o’clock, we were going, ‘We have to do this.’”. “Oh, we’ve got that phase to look forward to,” laughs Rickard. “I’ve been drafting some of that stuff.”.

The resulting feature film retains the signature blend of absurd humor and heavy emotional beats, incorporating stakes, a ticking clock, and grand set pieces. Baynton noted that the possession concept drew inspiration from classic youth favorites like Big, Back to the Future, and The Goonies. The production also proved impressive for its rapid timeline, with Hynd joining the project late in the previous year while ensuring every ensemble member retained a vital role. With its unique mix of sharp absurdity (at one point a Ouija board spells out ‘Leave’ to make a point about Brexit) and near-debilitating emotional notes (you may never again look at a scotch egg without crying), the resulting film is still very much Ghosts. Having met while making the Horrible Histories TV show almost two decades ago, and continued with the sitcom Yonderland and the 2015 Shakespeare comedy film Bill, the Ghosts team are now veterans. Also, ghosts can’t age, and I’m rapidly getting way too old to play Thomas.”.

Kiell Smith-Bynoe, who played Alison’s husband Mike, expressed satisfaction with his expanded arc. Because Mike cannot normally interact with the spirits, his acting challenge doubled during the film’s chaotic climax as various characters shifted in and out of tangibility. Despite no longer living in Button House, Alison and her husband Mike, played by Kiell Smith-Bynoe, find themselves swept up in the action, this approach meant that. As Mike is often the only person on screen who isn’t a ghost and can’t interact with them, smith-Bynoe has arguably always had the hardest acting job on Ghosts.

New additions to the cast brought fresh energy, notably young actor Scott Ellis Watson, whose performance included an impersonation of a deceased Tory MP. Adefope embraced the dynamic, noting she bonded with the younger cast members over memes and TikTok trends while Rickard joked that she acted as a bridge for the older creators. But Scott Ellis Watson, who played the young John Davidson in I Swear, is phenomenal here, largely because he spends a lot of time doing a bang-on impersonation of a dead middle-aged Tory MP, it takes a lot to steal a film out from underneath a cast as talented as this. Their work together now largely consisting of tweeting hatred at each other, even Monty Python ran out of films and shows in less time.

Although the series allowed the six creators to write separate episodes individually, the film script was credited to all six working collaboratively. Baynton explained that their writing routine involved shifting personnel depending on availability, which allowed absent members to return with fresh perspectives when creative roadblocks arose. “With the series, we got so used to writing multi-thread narratives,” explains Baynton. “In any episode, the actual stories are told in two or three brief moments, so that had become our mode of writing anyway.”. It’s hard to think of any writing and performing group this large who have managed to stay intact for so long.

Reflecting on the future, Rickard observed that the first year following the show’s conclusion marked a break in an 18-year collaboration. When asked about further projects, Baynton insisted nothing secret was currently in development, though he affirmed their mutual love for working together if funding materializes. Rickard acknowledged it felt like a definitive swan song, though Baynton jokingly reminded everyone they had made similar claims before. Finally, Rickard quipped that a caveman spinoff centered around Robin remains a distinct possibility as he ages into the role. Rickard is the one who seems to have most keenly felt the absence of Ghosts: “The first year after the series stopped was the first time that we hadn’t done something together in 18 years.